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Shapeshifter

by Violet Bell

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1.
darling, tell me true how much can I ask of you? I know you feel it too coming down those words we love to say easy on a sunny day but now you turn away and turn me out meet me in the garden midnight at the fountain I’m leaving in the morning going up the mountain older than the winter buried like a splinter only love can win only love that question never sleeps every night it comes for me singing at my balcony, calling out my name in water song melodies a river long says it knows where I belong, If I come down… meet me in the garden midnight at the fountain I’m leaving in the morning going up the mountain older than the winter buried like a splinter only love can win only love
2.
All the stars are out tonight, turn out the lights, turn out the lights all the stars are out tonight look up, honeybabe! Way out here the air is clear feels like I could disappear float up through the atmosphere ride the milky way I’ll fly away See those campfires in the sky hear them singing clear and high smell the cedar and the pine I don’t need no telescope to see that there’s no velvet rope keeping us from where we’re going when we fly away I’ll fly away All the stars are out tonight, turn out the lights, turn out the lights all the stars are out tonight look up, honeybabe.
3.
I come home and the house is dark So I spark a lonely flame Fill this room with light and smoke And listen to the ocean sing Well, the sea never stops her sighing And the wind never quits its rush every night there’s fish for frying Every morning, fish to catch Just one room of thatch and stone Just one bed, I lay alone Just one night, over and over Just one dream I can’t remember Lost in the waves there’s a woman’s face And she’s singing to me It’s my mother’s voice, and some Old forgotten melody I wake in the night with a chill and a fright To the crash of a storm Nobody’d know except me and the sea If I never came home Well the chill never leaves my fingers And the damp never leaves my bones every night I bank the embers every morning, wake alone
4.
Walk to the water while you’re asleep Put on my skin and go back to the sea Me and my mother, lovely and deep Taking me in, back to the sea One or the other, water or land Servant or lover, monster or man One or the other, captive or free Give me my skin and I’m back to the sea She says “child, do you think that you know Where you come from and where you might go? If you want, I can show you – let me show you - Walk to the water while you’re asleep Put on my skin and go back to the sea Me and my mother, lovely and deep Taking me in, back to the sea
5.
From the first time that I saw her, I fell in love with the fisherman’s daughter I fell in love with the fisherman’s daughter moves like wind, laughs like water mind just like a wild nor’easter a wild nor’easter Saw her on the way to town, Hair pulled back and her shoulders down Heavy with her father’s wares Selling down in market square Got no coin, got no copper, Give my days to the fisherman’s daughter Work my hands for the fisherman’s daughter All I have is all I offer Make my heart your holy altar your holy altar Saw her standing by the sea Black hair flowing long and free Singing some strange melody I saw her but she didn’t see me Love is strong but the sea is stronger Some hearts were made to wander made to wander From the first time that I saw her I fell in love with the fisherman’s daughter I fell in love with the fisherman’s daughter
6.
Flying Free 03:14
Instrumental
7.
I am a Wolf 06:25
what do I do with a woman? my hands are rough, I don’t know how to change how do I hold the ocean? how do I sleep at night with my back against a wave? I went to town I saw the Madam she said my shoulders are broad, my back’s so strong, she said my eyes are grey like the sea and you oughta see you can swim in me you can swim in me what do I do with a woman? my hands are rough, I don’t know how to hold her what do I say? I got nothing. I don’t speak her tongue, I don’t speak her tongue all day long all day long I can feel her eyes on me I can hear her mind on me I wish she would stop thinking about how to get free. I am a wolf, not a woman a sea-wolf, a she-wolf, a free wolf, til you came around sneaking, stealing, kidnapping while you sleep I oughta rip your throat out I’ll take you down deep in my waters where there is no king where my mother sings I’ll take you down where the sun never touches but the pale moon glows blue all day long all day long I can feel your eyes on me I can hear your mind on me I’ll never stop thinking about how to get free.
8.
Morning Girl 02:08
9.
I was out on the water Too late one night That’s when I saw her dancing Naked in the moonlight Wet stones, wet curves, wet skin Not of this earth But born of the sea Never meant for a mortal like me In a dream, I climbed up on the stones and snatched her skin She could not swim so I took her home wet hands, wet curves, wet woman not of this earth but torn from the sea seven years and I’ll set you free I tied it to a stone I cast it from a cliff into the waves below I watched it sink It calls our daughter’s name It wakes me in my sleep Her love was never mine to keep Her love was never mine Window’s open, a chill is blowing in I turn to her, Woken by the wind One room, one bed Two pillows, only one head Full moon, black sky Deep waters opening wide Can’t hold the tide We all know, and yet we all try To steal from the sea – Never meant for a mortal like me.
10.
Junkie 04:04
babe I’m a junkie and I’ve always been looking for something to numb the pain call it a miracle or medicine a crutch by any other name free, free I wanna get free oh, it’ll find me anywhere I go even my dreams smell like smoke take it away and what’s below? can’t fill the hole, can’t fill the hole free, free I wanna get free Some say we’re born, some say we’re made don’t know how but I got this way sugar and sex, just spin the wheel whiskey and weed and how do I feel? deeper inside, quiet as can be praying for grace to rescue me babe I’m a junkie and I’ve always been looking for something to numb the pain going without, going within babe I’m a junkie and I’ve always been

about

Shapeshifter tells the story of the selkie, a seal who can shed her skin to become human, and her capture by a land-bound fisherman.

Shapeshifter connects the current moment in our social and political history to an ancient folktale with timeless themes. For generations, people who don’t fit neatly into social norms and power structures have fought for their bodily autonomy and personal agency. Through a lens of queerness and otherness, the selkie story becomes a way to engage with this history and challenge the social norms that would keep us small.

This music and this trauma have been passed on for generations. So why not use one to unravel the other? By telling the story through music that both owns its diverse cultural heritage and defies categorization, we’re teasing apart the homogenizing narrative of American roots music to reveal a more complicated and deeper truth.

Shapeshifter asks, what does it mean to feel whole, embodied and at home in our sense of agency and autonomy? What happens when we orphan parts of ourselves in order to stay safe? How do we internalize external power systems, and how can we integrate and heal what we’ve cast into the shadows?

We recorded Shapeshifter live with beloved friends from diverse musical backgrounds. It was a community effort, and the music feels alive. It reflects the counter-imperative to oppression: be. Love. Live joyfully and free. Reclaim the splintered pieces of your soul. You can come home to yourself.

When we share the selkie songs at live shows, listeners come up to us with shining eyes and opened hearts. People are so hungry for stories of hope and change. For us, sharing this medicine is also receiving it. It’s healing. We’re so grateful to connect the past - this ancestral gift of story and song - with our present-day experience as we envision our collective future. Shapeshifter transforms the old narrative into a new story that grants people vast permission to be themselves, unencumbered, in all their complicated glory.

credits

released October 7, 2022

Written by Lizzy Ross and Omar Ruiz-Lopez
Engineered, mixed, and mastered by Jason Richmond
Produced by Violet Bell and Jason Richmond

Lizzy Ross: vocals, acoustic guitar
Omar Ruiz-Lopez: acoustic guitar, electric guitar, cello, fiddle, five-string fiddle, banjo, mandolin, vocals
Tatiana Hargreaves: five-string fiddle
Joe Troop: banjo
Joseph Terrell: acoustic guitar, electric guitar, vocals
Libby Rodenbough: vocals
Sinclair Palmer: upright bass
Austin McCall: drums, percussion
Joe MacPhail: piano, organ, percussion
Ken Stewart: cello
Mario Arnez: acoustic guitar

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Violet Bell Chapel Hill, North Carolina

✨harmony + folklore + queer + de-homogenizing the americana roots music narrative ✨ Our new album Shapeshifter is out 10/7/22. It tells the ancient story of the selkie, a seal who can take off her skin to become human, as medicine for social norms that would keep us small. ... more

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